Sound is my first language.
Thirty years of performance, two decades of teaching, and now a PhD on what happens in the body when music plays. The thread runs through everything.
A performer's path
I have been a musician since my mother first gave me piano lessons at a very young age. I took classical guitar lessons at around 10, drifted away from it for a while, then came back seriously at about 16 through private lessons with Dev Gopalasamy, a jazz guitarist, educator, and session musician who had a major influence on my learning, guitar playing, and improvisation at that age.
I began performing live in bands at 18. I was also teaching guitar at a number of private schools, including Oxley College and Chevalier College in Bowral, Frensham Ladies College in Mittagong, The King's School Tudor House in Moss Vale, and St Joseph's College at Hunters Hill. I even taught guitar to prisoners at Berrima Correctional Centre for a while.
In 1991 I started studying at the University of New South Wales and graduated in 1994 with a Bachelor of Music and a Bachelor of Education, specialising in performance and music education. Music has stayed with me ever since, linking education, my own performing, and now the academic work on music perception.
- B.Mus.Performance and Education, UNSW 1994
- B.Ed.Music Education, UNSW 1994
- TutorSchool of Psychology, UoW
- Active30+ years performing
- ORCID0000-0003-3617-7994
Live Performance
Honeytung recordings
Mr Whitey
Evil Funky Woman
How Ya Gonna Dance
The original Honeytung website from 1999 is now archived, including the recovered band biography, gig reviews, recordings, and surviving photographs. Visit the Honeytung archive here.
Where music meets research
The PhD work is explicitly about music. Heart rate variability and EEG measured during music listening. Autonomic responses to unexpected rhythm. Skin conductance and musical complexity. The body's involuntary reactions to musical structure are not metaphor, they are physiology, and they are measurable.
- PhD topicCardiovascular measures of cognition in music listening
- MethodsHRV, EEG/ERP, EDA, controlled musical stimuli
- Related
Timeline
- 1983The Works, live performance era
- 1994B.Mus., B.Ed., University of New South Wales
- 1994+Music educator, secondary and tertiary
- 2019B.Psych.Sci. with Social Marketing Major, UoW
- 2021B.Psych. (Hons.), UoW
- 2022PhD Candidate, School of Psychology, UoW
- 2025IOP 22 Krakow, Breaking the Beat